Monday, June 23rd TV listings for Turner Classic Movies USA
The Strange Love of Martha Ivers (1946)
Childhood friends Martha, Walter, and Sam share a terrible secret. Over time, Martha and Walter have married. She is a cold businesswoman; he is the district attorney. But Sam's return after years of absence deeply disturbs the formidable couple.
Going Wild (1930)
Rollo and Lane get off a train in a town where an air ace is supposed to perform. When someone mistakes Rollo for the daredevil pilot, he has to figure a way out of the predicament.
Faithless (1932)
An heiress (Tallulah Bankhead), her money and her sweetheart (Robert Montgomery) are parted by the stock-market crash.
The Matrimonial Bed (1930)
A remarried woman recognizes an amnesiac (Frank Fay) as her presumed dead husband.
Merrily We Live (1938)
Taken for a bum, a writer (Brian Aherne) turns chauffeur for a daffy woman (Billie Burke) with a pampered daughter (Constance Bennett).
Camille (1936)
Marguerite is a well-kept courtesan of the rich and influential Baron de Varville, but when a promising young man falls in love with her, his sincere adoration causes her to question her comfortable life.
The Keyhole (1933)
A private eye (George Brent) follows a millionaire's wife (Kay Francis) to Havana, where they fall in love.
Christopher Strong (1933)
A world-class British aviator (Katharine Hepburn) falls for a married man (Colin Clive) whom she cannot live without.
Call Her Savage (1932)
The daughter (Clara Bow) of a white woman and an Indian chief (Gilbert Roland) marries a man (Monroe Owsley) who leaves her broke and with a baby.
The Gay Divorcee (1934)
A woman (Ginger Rogers) thinks a flirting man (Fred Astaire) is the co-respondent her lawyer has hired to expedite her divorce.
Midnight (1939)
A Paris cabby (Don Ameche) chases a chorus girl (Claudette Colbert) hired by a rich man (John Barrymore) to pose as a baroness.
Professional Sweetheart (1933)
A radio sponsor's so-called Purity Girl (Ginger Rogers) is paired for publicity with a rural Kentucky fan (Norman Foster).
The Broadway Melody (1929)
Midwestern sisters (Bessie Love, Anita Page) go to New York, where one flirts with the other's dancer boyfriend (Charles King).
Our Betters (1933)
An American hardware heiress (Constance Bennett) marries a lord and shocks London society with her parties.
Ex-Lady (1933)
A liberated woman's views on marriage are drastically changed after moving in with her marriage-minded beau.
The Girl From Missouri (1934)
An innkeeper's daughter (Jean Harlow) runs away from home and meets a Palm Beach millionaire (Lionel Barrymore) and his son (Franchot Tone).
Employees' Entrance (1933)
A tyrannical department-store manager falls for an employee who is secretly married to one of his assistants.